“If you lose this war, don’t blame me!” yells Johnnie Gray at the recruiter who rejected him.
Buster Keaton is one of the greatest silent filmmakers of all time. He is responsible for some of the best silent film comedies, including Three Ages, Our Hospitality, Go West, and Battling Butler. He is also responsible for perhaps the greatest silent film comedy of all time, The General. It is with great irony that Keaton’s most famous film would be the one that cost him his independence as a filmmaker due to its box office failure (it didn’t help that the film had one of the largest budgets of the silent film era). I first saw it in a film class during my first year of college and was amazed at the work it took to bring the film to life. I had hoped to see it on the big screen one day, and was lucky enough to catch an 85th anniversary screening of The General at Film Forum five years ago as part of a mini-Keaton retrospective (it was accompanied by a piano score performed by Steve Sterner and preceded by the 1922 Keaton short The Blacksmith). This 90th anniversary review of The General is my entry in the Second Annual Buster Keaton Blogathon hosted by Silent-ology.
1926’s The General follows a Southern railroad engineer who attempts to rescue his former fiancée, who has been kidnapped aboard his train by Union spies during the Civil War. Keaton and co-director Clyde Bruckman brought together an effective cast that included Keaton (as Johnnie Gray), Marion Mack (as Annabelle Lee), Glen Cavender (as Union Captain Anderson), Jim Farley (as General Thatcher), Charles Henry Smith (as Annabelle’s father), and Frank Barnes (as Annabelle’s brother). Keaton is the main attraction here as he delivers a phenomenal performance as a Southerner looking to prove himself to his fiancée’s family after being rejected for Confederate military service due to his valuable skills as a railroad engineer. Keaton also performs his own dangerous stunts in the film (most of which take place on a moving train; examples include sitting on a cow-catcher while holding a railroad tie, jumping from an engine car to a tender car to a boxcar, and running along the roof of a train). Mack also shines as Johnnie’s fiancée, who inadvertently becomes a prisoner of Union soldiers during their heist of Johnnie’s train, the General (prompting Johnnie to make a most dangerous rescue attempt).
The screenplay by Bruckman, Keaton, and Al Brasberg mixes comedic gags and suspenseful action (it was also based on the memoir The Great Locomotive Chase by William Pittenger, which recounted a real-life military raid in 1862 that saw Union army volunteers commandeer a train in northern Georgia and take it north towards Tennessee while being pursued by Confederate forces). Keaton and Bruckman draw strong performances from the cast while staging exciting stunts (the collapse of the bridge and subsequent train wreck was the most expensive sequence in all of silent cinema). The cinematography by Bert Haines and Devereaux Jennings makes great use of the natural light and looks gorgeous. Keaton and Bruckman’s The General is an enduring silent film classic that has entertained audiences for generations. It is an impressive film no matter how many times you see it, and is one that Keaton had every right to be proud of.
Absolutely! This film is impressive no matter how many times a person sees it. There are some scenes which I still have trouble watching because they’re so stinkin’ dangerous!
barely remember this one. need to do a re-watch. nice work, Louis! thanks man 🙂
A stunning movie that truly amazes everyone I show it to!! Thanks for the review.
Thanks for the article. “The General” is a masterpiece in so many ways, The camera work, story, stunts, logistics. Truly the first Epic Comedy ever made.
You’re welcome! Glad you enjoyed my review. The General truly is a masterpiece.
Truly one of the greatest not just silent comedies or silents or comedies but greatest films ever made. I had the privilege of writing about it in last year’s blogathon and researching it made me love it even more. You’re so lucky to have seen it on a large-ish screen with live accompaniment! I want to go back in time and see it at a movie palace. … While the fact that the film was expensive to make and wasn’t a hit hastened the closing of Buster Keaton Studios, even if it had been a sensation it could only have forestalled the inevitable for a couple of years at most. Sound was about to change everything, and the studio system was destroying independent production. Still, what I wouldn’t give if Keaton hadn’t been able to make even one more movie on his own terms…
Thanks! You make some fine points. I’d also like to see Keaton’s films in a movie palace.
An absolute classic!
It sure is. Thanks for stopping by!
Thanks for covering this masterpiece for our blogathon–I’d forgotten that this is it’s 90th anniversary! Amazing to think that it’s getting to close to be a century old. It looks like it was filmed yesterday.
You’re welcome. It really does look great. Glad to have participated!
I’m glad you wrote about The General. I watched it with my grandfather and he told how much he had liked Buster when he was young. Buster’s most dangerous stunt was sitting on the side rod of the locomotive while it went into a shed. In starting a steam locomotive, the wheels can spin. That would have killed him.
Thanks for sharing!
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I love “The General!” One of the funniest movies ever made and it’s held up well after nearly a century. Keaton certainly was a genius.
Thanks! He certainly was. Glad you loved it too.